Center asian american media

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The Center for Asian American Media CAAM is the only national nonprofit organization dedicated exclusively to supporting the work of Asian American film and media makers and to ensuring their work is seen by wide audiences on public television and in community and educational settings. CAAM provides development, production, and outreach grants for individual contemporary or historical nonfiction media projects produced by Asian American directors and producers. MacArthur support enables CAAM to increase grant support for projects and to work with A-DOC, a new Asian American filmmaker-initiated network, to provide mentoring and professional development opportunities for emerging Asian American filmmakers across the United States, ultimately resulting in more diverse narratives reaching and informing the American public.

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The collection includes early broadcasts by the ground-breaking Asian American anthology series Silk Screenwhich explores the subject of identity and treatment of Asian Americans in the San Francisco Bay Area. The CAAM collection contains a diverse array of subjects from a variety of geogaphic locations, such as: A World Beneath the War about the Cu Chi tunnels built during the Vietnam War, Survivors which interviews survivors of the atomic bomb which dropped on Hiroshima and Nagasaki, and The Last Ghosts of War which interviews victims from the use of herbicides agent orange during the Vietnam War. The collection also contains biographies that show a glimpse into the life of young Asian Americans who struggle with identity, adversity, and overcoming complex obstacles in order to achieve their goals, and even the smallest wins in life, these films include: Maya Lin: A Strong Clear VisionRaymond's PortraitA.

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CAAM's work at the nexus of arts and heritage includes not only the presentation of historic films at CAAMFest, but also the facilitation of projects such as Memories to Light, which collects, preserves, and showcases home movies made by Asian-American families. We were founded in an age of these legacy media, the analog media world of broadcast television and of theatrical film distribution, and that has all changed with the advent of social networking as well as the explosion of cable and movies being able to be streamed on any device. Even though this new landscape is an enormous challenge to everyone who has tried to move from that old way of working, what we find is that, being an organization rooted in ethnic communities, there are some real opportunities here because this splintering of audiences and the fracturing of the normal gatekeepers to mass media distribution really allows deeply engaged communities to find works that really speak to them.

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Center for Asian American Media. Worked here many years ago. Robust, inspired programming that the San Francisco Bay Area community can get behind.

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The Center for Asian American Media is a nonprofit organization dedicated to presenting stories that convey the richness and diversity of Asian American experiences to the broadest audience possible. We do this by funding, producing, distributing and exhibiting works in film, television and digital media. For 39 years, CAAM has exposed audiences to new voices and communities, advancing our collective understanding of the American experience through programs specifically designed to engage the Asian American community and the public at large.

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The Center for Asian American Media CAAM is a national organization dedicated to presenting stories that convey the richness and diversity of Asian American experiences to the broadest audience possible. The Content Manager is responsible for developing strategic content plans as well as a wide variety of original, compelling, high-quality content for use across a variety of online platforms, social channels, and other media. Reporting to the Executive Director, the Content Manager will develop editorial boards and work with cross-functional teams to determine strategic content direction.

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The San Francisco-based organization, formerly known as the National Asian American Telecommunications Association NAATAhas grown into the largest organization dedicated to the advancement of Asian Americans in independent mediaspecifically the areas of television and filmmaking. NAATA was set up to acquire, package and distribute television and radio programs; was formed with funding from the Corporation for Public Broadcasting. InLos Angeles-based activists and artists established Visual Communications VCa community-based organization which was instrumental in helping to create many early examples of Asian American filmmaking, including the first Asian American feature film, Robert A.

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Comments

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